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JESSE GABRIELLINI

For studios, publicists, labels & retail partners

Films worth watching. Editions worth owning.

Jesse’s Film Shelf is a Phoenix-based film journal and 4K collector lab: transparent rankings, verified physical-media facts, and viewing from a documented home theater.

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Where this stands today

Being straight about it: this page is live so the path exists, but it is held out of search until the coverage it describes is on the record. Rankings and the collection are published and current; written reviews are not.

  • Pending: At least 3 substantive public reviews (0 of 3 published)
  • Met: A monitored inquiry path (Email path is monitored)
  • Pending: Owner approval to enter search (Not yet approved)

What gets covered

Ranked film profile
A permanent page for a film with its JG-R1 score, viewing record, and the edition owned, if any.
Physical-edition notes
Verified disc facts -- format, cut, HDR, audio, packaging, region -- published only where the governed record supports them.
Full written review
Film evaluation and disc evaluation scored separately, published only after the JG-E1 editorial gate passes.
Phoenix screening coverage
Advance and press screenings in the Phoenix metro, with the projection format recorded.

Film and disc are scored separately. A great film can arrive on a disappointing disc, and a modest film can get a reference-grade release; collapsing the two would make both scores useless.

The published record

  • 8 ranked films with public JG-R1 scores, each with a permanent profile
  • 34 physical editions published across 40 films
  • 0 full written reviews published — the gate above

Formats with a completed, published viewing on record: 4K UHD, IMAX 70mm, ScreenX, Streaming. That list is derived from the viewing record, not from what Jesse is willing to attend — the coverage page keeps the two separate.

Where discs are watched

Viewing happens in one documented room, not against a spec sheet. The signal path, every component, and the date each fact was last checked are published at the home-theater reference. Per-edition playback notes are not published yet; when they are, they will carry the same verification dates as everything else here.

  • Signal path: HDMI eARC connection from 65-inch LG G1 OLED to Sonos Arc
  • Setup facts verified through 2026-08-03
  • Most recent fact rechecked 2026-08-04

Codec, passthrough, cable, and source-by-source format behavior stay unclaimed without separate verification.

Editorial independence

A screener, a complimentary ticket, a gifted disc, an affiliate relationship, a paid photography booking, or a sponsorship cannot change a JG-R1 score. The score is computed from three components — experience, execution, staying power — and no commercial field is an input to it. That is enforced in code and covered by tests, not just promised here.

Material connections are disclosed on the review itself, in its own field, using a fixed vocabulary. Receiving a review copy does not shorten or bypass the editorial gate, and it is never a commitment to publish.

Read the full disclosure and independence policy →

Getting in touch

Email is the path, and it is monitored. There is no form here on purpose: an inquiry usually carries embargo dates and shipping intent, and none of that should be posted through a public page or stored beside the collection record.

A useful first message includes:

  • Company, studio, label, or retailer
  • Your name and a verifiable work email
  • What the opportunity is: screening, screener, review copy, or campaign
  • Film title and release date
  • For physical media: the exact edition, format, and region
  • For screenings: venue, date, and projection format
  • Embargo date and time zone, if one applies
  • Any asset or quotation restrictions
  • What you are hoping for, and by when

Shipping details are exchanged privately after a request is confirmed — never posted here.

Email jesse@jesseg.io →

Product and event photography

Original physical-media, steelbook, and screening-event photography is available commercially through Gabriellini Visuals. It is a separate commercial service and is booked separately; hiring it does not affect any score or any coverage decision on this Shelf.